The new version is available on iTunes, and will be on his new album We Sing, We Dance, We Steal Things out May 20 i think. You best believe, you best believe I'm yours, mmm-hmm
Oh, whoa, baby, do you believe I'm yours? This, oh this, this is our fate, I'm yours So please don't, please don't, please don't To rid yourself of vanities and just go with the seasonsĪnd look into your heart, and you'll find that the sky is yours I guess what I've been saying is there ain't no better reason
I've been spending way too long checking my tongue in the mirrorĪnd bending over backwards just to try to see it clearer Listen to the music of the moment, people dance and singĪnd it's our God-forsaken right to be loved, loved, loved, loved, lovedĭo, do, do, do you, but do you, do you, do, do, but do you want to come on? Open up your plans and, damn, you're freeĪnd look into your heart and you'll find love, love, love, love I tried to be chill, but you're so hot that I meltedĪnd nothing's gonna stop me but divine intervention
And if you're doing a spring show with a folk, western, or country theme, this song would fit right in.Well, you done done me in, you bet I felt it Square dance outfits including bandanas and big skirts might be fun, too. Just having a few couples hook arms and swing around, reversing directions for variety could be plenty to give it punch. If you use this song in performance, some simple square dance movement during the chorus might be effective. To help singers learn part 2, we have created a rehearsal track and put it online for ease of access. Ditto the coda, starting with the rousing "Oh!" that slides into measure 28. Be sure they sing out in a robust manner at this point.
A soloist sings a "call," and the rest of the group "responds." Then they all sing together at the chorus, breaking into parts, if you wish. Our recording demonstrates how this would work. The vocal part includes opportunities for optional solo work during the verses. The addition of claps on the offbeats at the chorus each time also emphasizes the easy-going style. If you play the instrumental version of the tune, your students should be able to hear the orchestra fairly clearly, as well as the banjo, which sort of noodles around throughout the tune after its entrance at measure 6. It's a folk style tune with a touch of western flavor a la Aaron Copland in its use of an orchestra and traditional folk instruments. Here's a song for spring that's plain ol' fun to sing.
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